MUSIC

01

music

03:33

Justice - Afterimage (Starring RIMON)

Editor: Max Elbling Analogue Video Effects: Tachyons+ VFX R&D: Max Elbling and Pascal Teixeira Color Grading: Guillaume Chanaud at Les Films du Périscope Oscilloscope: Léo Pouliquen Executive Producer: Jennifer Sarkis Line Producer: Inès Maillot Production Coordinator: Julien Bertin Unit Manager: Thomas Correia Label: Because Label Producer: Yasmine El Hammouti Project Manager: Mathis Fleutot / Matthieu Le Goff Cinematographer: Bernard Jallet 1st AC: Paul Thomas 2nd AC: Thibault Pihouee 2nd AC prep: Mathilde Fernandez Gaffer: Felix Ménard Spark: Pierre Corvaisier Grip: Thomas Bigot Set Designer: Lucie Beauvert Movement Director: Helena Olmedo Duynslaeger Stylist: Marina Monge Stylist Assistant: Evelyn Kuoch Makeup Artist - Rimon: Sophia Sinot Makeup Artist - Justice: Joséphine Richard Hairstylist - Rimon: Théana Houlmière Dress and suits by Hedi Slimane for Celine BTS Filmmaker: Louis Marie BTS Photographer: Manon Adler

02

music

03:57

Rey Pila - Surveillance Camera

03

music

05:09

Socko - Pax In Bello - Live In Dilijan, Armenia

04

music

07:00

Tigran Hamasyan - The Bird of a Thousand Voices Live

The Bird of a Thousand Voices extract from an unplugged concert live in front of Armenia’s highest peak. Tigran Hamasyan - Piano and voice Khazer Choir - Directed by Ani Navasardyan Asghik Mamikonyan - Violin and voice Film Crew Captain - Hayk Barseghyan Directors - Levon Badikyan and Alexey Komoza Cinematographers - Alexey Komoza, Tigran Melkonyan, Levon Badikyan, Gevorg Elmasakyan, Valentin Piskun, Mitya Lyalin Stylist - Ruslan Nasir Clothes - Z.G Est, Reborn, Petoor, Loom Weaving Special thanks to 5Concept, Frip’, and Cone Live Recording and mixing - Sergey Gasparyan Filmed at Rapi Lake in front of Mount Aragats

05

music

04:03

Your 33 Black Angels Y33BA - Shaggy & Joe

Shot with rare, state-of-the-art thermal cameras, Barbara Anastacio uses a hybrid of heat, improvised choreography, AI and even the old-school puppetry of Vit Hořejš to paint New York City in a post-apocalyptic light. Rendered robotic and alien, the dancers sweat sensuality, dancing and vogueing hypnotically to the acid-house adjacent track. Drawing inspiration from Finnish philosopher Erkki Kurenniemi's proclamation that "our true descendants will be algorithms." Your 33 Black Angels (@y33ba) new album Eternities II will release on 4/15 via Bandcamp and other outlets. Follow them at for more music and updates.

06

music

04:21

Adrián de Alfonso - La cara estúpida del ritmo

The solo rituals of a traveler embarking on a journey of awakening, delusions of grandeur, and the timeless yearnings of the soul.

07

music

03:11

ALT BLK ERA - Run Rabbit

Video directed and produced by Blessing Magore Produced : Natt Webb of RatCat Studios, Nyrobi and Chaya

08

music

00:53

Kareem Lofty - Plant Nursery

09

music

02:48

Moscow X ‪Rafiek‬ - MEEN | موسكو ورفيق - مين

FIRST MUSIC VIDEO SHOT ON FILM IN EGYPTIAN RAP INDUSTRY. Producer - Mohannad El Morsy Focus Puller - Malak Tarek 2nd AC - Shockz Photography - Adrygraphy BTS - Omar Barakat / Winagraphs Stylist - Styled by coddiwomple & al camelion Gaffer - Hassan Camera tech - Adel khairy Post production Editor - Amr Mekki Colorist - Ahmad Ali

10

music

04:52

Glass Beams - One Raga to a Disco Beat

This is a cover of ‘Raga Bhairav’ by Charanjit Singh, taken from the 1982 Album ‘Ten Ragas to a Disco Beat’. Created in Mumbai in 1982, the original song is one of the earliest records to use the Roland TB 303 bass line synthesizer – the sound of acid house. Futuristic without intention, the album pre-dates the first acid house records of Chicago. ॐ शांति

11

music

03:01

Felukah - Neighborhood

12

music

03:46

XANDER GHOST Ft. MARWAN PABLO - OGRA | زاندر جوست مع مروان بابلو - اجرة

Stylist @amernotme Production house @daddy_originals Co-Director @mohamedelmasryfilms Executive producer @mahmoud_dodda_ DOP @moatazzkhaled Producer @ibrahim.elgharably Post-producer @shero_sk Window aisle @ysewedy @asewedy Art executive @zeyadabas

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music

Kelela: Tiny Desk Concert

Youtube

Kelela took her opportunity at the Tiny Desk to create something new. She swapped key pieces from her recordings (hard drums and effects) for a harp and piano. She also presented us with a challenge or two as well. While there weren't many bodies behind the Desk, the instruments left little room for movement. Pianist Briley Harris was barricaded by the keys, and background vocalists Brittney Mills and Alayna Rodgers were nestled next to Ahya Simone's big beautiful harp. When an artist presents us with a distinctive, creative vision for their performance, the fun part is collaborating to execute that idea. This Tiny Desk was a homecoming for Kelela. She let the music do most of the speaking but not before shouting out Washington, D.C., where she was born. The setlist seamlessly showcases most parts of her catalog with a couple of brand new arrangements. "Enough" and "Take Me Apart" are almost unrecognizable, recast to allow Kelela's vocals to sit gently within the harp and keys. The singer found a thunder tube in our percussion section and tinkered with it during soundcheck. Toward the end of "The High," she sings through it to alter her voice. That exploration and experimentation perfectly capture the essence of the show. SET LIST "Raven" "Take Me Apart" "Bank Head" "Waitin" "Enough" "Bluff" "The High" MUSICIANS Kelela: vocals Briley Harris: keys Brandon Donald: drums Alayna Rodgers: vocals Brittney Mills: vocals Ahya Simone: harp TINY DESK TEAM Producer: Bobby Carter Director/Editor: Kara Frame Audio Technical Director: Hannah Gluvna Videographers: Kara Frame, Maia Stern, Joshua Bryant, Alanté Serene Audio Engineer: Neil Tevault Production Assistant: Elle Mannion Photographer: Elizabeth Gillis Tiny Desk Team: Ashley Pointer, Hazel Cills Executive Producer: Suraya Mohamed Series Creators: Bob Boilen, Stephen Thompson VP, Visuals and Music: Keith Jenkins

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