#PARIS

01

music

03:33

Justice - Afterimage (Starring RIMON)

Editor: Max Elbling Analogue Video Effects: Tachyons+ VFX R&D: Max Elbling and Pascal Teixeira Color Grading: Guillaume Chanaud at Les Films du Périscope Oscilloscope: Léo Pouliquen Executive Producer: Jennifer Sarkis Line Producer: Inès Maillot Production Coordinator: Julien Bertin Unit Manager: Thomas Correia Label: Because Label Producer: Yasmine El Hammouti Project Manager: Mathis Fleutot / Matthieu Le Goff Cinematographer: Bernard Jallet 1st AC: Paul Thomas 2nd AC: Thibault Pihouee 2nd AC prep: Mathilde Fernandez Gaffer: Felix Ménard Spark: Pierre Corvaisier Grip: Thomas Bigot Set Designer: Lucie Beauvert Movement Director: Helena Olmedo Duynslaeger Stylist: Marina Monge Stylist Assistant: Evelyn Kuoch Makeup Artist - Rimon: Sophia Sinot Makeup Artist - Justice: Joséphine Richard Hairstylist - Rimon: Théana Houlmière Dress and suits by Hedi Slimane for Celine BTS Filmmaker: Louis Marie BTS Photographer: Manon Adler

02
Original

interviews

01:25

Ines Alpha | MAFF chat pt. 1

03

interviews

25:32

Jacquemus: A Coming of Age Story

The designer joined BoF founder and CEO Imran Amed on stage at BoF VOICES 2024 to share how he has built a successful independent business in such a competitive environment, understand his plans for the future and settle some of the rumours and speculation. When Simon Porte Jacquemus came on to the scene in 2009, he did so with a bang. The French designer’s playful take on Parisian fashion draws inspiration from 20th century sculpture, the French New Wave, and sunny afternoons in Marseille. His creations have catapulted him and his label into stardom, with the brand’s campaigns often going viral on social media. “It’s [all about] having fun,” said Jacquemus. “Having fun is being creative, it's going one step aside and it's playing with the system.”

04

music

03:46

Vald - Péon feat. Orelsan

05

music

03:29

Tshegue - Shuffle

Laëtitia Ramamonjisoa @a.soart QUAD @quad_productions Léonie VESCOVI @leonie.vsc Solène CHALMEY-MEYSSELLE @schalmey.meysselle Director of Photography: Marco GRAZIA PLENA (@apicorpagency) Movement Director: Cindy EMELIE @cindyemelie Production Designer: Mélanie CLEENEWERCK @melanieclw Editor: Simon TRISTANT @simon_tristant First Assistant Director: Valentin PEOC’H @valentinpeoch Dancer : La Baphomette @baphometsboobs Dancer : Olivia KUY @kuyolivia Dancer : Julie RS @juliie.rs Dancer : Lenaïc @cianel4eva Dancer : Ismael Kone @hisma_001 Stylist Consultant: Glen MBAN @glenmban Stylist Consultant: Joana DACHEVILLE @joana_dacheville Stylist Assistant: Luca BOUDAY @boudayluca Makeup Artist: Margot MOINE @margot_moine Post-production supervisor: Léo SOUFFRICE Editor Agent: Clemence GASNIER @ COLLECTIV.PARIS Grading: Alexis MULLER @KEEPGRADING @muller_alex

06

music

06:46

Daft Punk - Veridis Quo (Official)

07

music

03:31

Lancelot - Madame

08

music

02:16

Mikano - Overthinking

Post-Production : D-Factory Management : Athénaïs Rubio & Gabin Ducourant

09

music

27:36

Yoyaku instore session with Tomoki Tamura

10

music

03:55

L'Impératrice - Sweet & Sublime (feat Erick the Architect)

Production MARAMEO Producteur : Grégoire MWAYEMBE Producteur associé : Antoine BRIAND Directeur de production : Joseph RAGONS Creative Producer : Flatmind Video commissioner : Morgane LAGNEAU-GUETTA 1er Assistant réalisateur : Étienne LEFEBVRE Directrice de la photographie : Julie CHEVAILLER 1er Assistant caméra : Ethan COHEN 2e Assistant caméra : Raffael LEVY BOTTANI Chef électricien : Diego LAUVERGNE Électricien / Machiniste : Zuy VIRAPHONG Électricien : Nicolas HERZOCK Cheffe décoratrice : Anaïs PROFIT Cheffe décoratrice : Chloé FLEURY Décorateur #2 : Alexis DOUGHA Assistant déco : Jehanne MABILAIS, Clementine NAUDEAU, Inès DRIDI, Violette POTET, Angèle DEMARLE, Lilou THIEFFENAT, Alexis DOUGHA, Louna VILLECOURT Styliste : Lola MAUX Costumes L'Impératrice et Erick the Architect ville : Pierre CARDIN Designer bijou Flore : Clara BESNARD Maquilleuse / Coiffeuse : Gaia BERNET Assistante maquilleuse / coiffeuse : Sandra LEFORT Régisseur général : Bastien ROUSSEAU Régisseur : Alexis LANDAIS Montage : Olive Olive GOGUÉ-MEUNIER et Jason MOUGAMADOU ABDULLAH (AUGURE) VFX : COUSIN BIZARRE Motion design : Jantana HENNARD Étalonnage : Yanis AAROUF Bad Coin : Alexandre NAKBI

11

fashion

01:44

JACQUEMUS + NIKE - FW24 DROP

12

fashion

00:47

Hermes H24

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fashion

Feng Chen Wang SS24 Show

Youtube

Memories. Imprinted. Feng Chen Wang’s Spring/Summer 2024 collection is inspired by Feng's childhood memories of her grandmother: of accompanying her on walks through the mountains and alongside the meandering rivers in her hometown in Fujian, China. precious memories, as if imprinted deeply, have left Feng with deep senses of love and nostalgia till this day. This season, Wang wanted to celebrate these memories by recreating them using an ancient botanical contact printing method. Working with local Chinese artisans, Feng selected some of her grandmother’s favourite plants like onions, gallnuts, eucalyptus and apple leaves and pounded them onto traditional Chinese silk; the colors, form and veins of each botanical clearly imprinted onto the fabric. Each plant is like a memory of life, each expressing an exuberance and tenacity for life; each one remembering the passing on of tradition. From there, new unique Feng Chen Wang patterns emerge this season. They transcend time and space, almost like a conversation with the past to preserve a love so pure, it never dies. “Some memories are very profound but somewhat vague, perhaps even mixed with some of my imagination, but my creative process shows a sense of colour change with a strong emotions,” Wang says. Therefore, featured in this collection, are pieces with color gradation of pink, blue, purple, black. Dream-like colours are spread out, dyed, rising and evolving, yet captured into an imprint on the fabric; just like memories which are deeply embedded. Silk is the principal fabric used by Wang this season; a symbol of natural purity, it appears on shirts and shorts, and on transparent organza jackets. Pure cotton, a brand signature, is used in denim pieces and T-shirts. Wool suits featuring the botanical contact printing method lends an elevated finishing touch to the collection. A process of pure handwork between Wang and local artisans, the patterns require several rounds of dyeing to achieve the desire colour result. With the addition of more tailoring, different elements of Chinese and Western style come together in a decidedly contemporary fusion. For the show, held at the Lycée Montaigne, musical collective Nara Bara performed live as models descended on the runway, blending harmonies and intricate rhythms of jazz. Further exploring the boundaries between reality and longing, Wang explains how the collection reflects the fluid state of flow in her creations. In her grandmother’s eyes, dragons and phoenixes were always symbols of romantic love – with the phoenix being a signature Feng Chen Wang motif. A new dragon pattern appears in this collection through jacquard and water-washing processes in different colours, including denim-blue, grey and shades of khaki. The dragon and phoenix are purely mythical, divine beasts in the imagination of ancient Chinese people; embodying their fervent hopes and wishes. 2024 is the Year of the Dragon in China, and perhaps this collection can be used to envision a better year ahead. From classic bamboo bags to necklaces – natural materials have been employed in the accessories – such as bamboo hair clasps and wooden necklaces. Combined with the newly designed Feng Chen Wang eyewear collection for this season, the accessories range is elevated to the next level alongside reconstructed Nike apparel and footwear. Drawing on multiple dimensions such as design, craftsmanship and fabric, the Feng Chen Wang Spring/Summer 2024 collection has already narrated the emotional moments of memory retention and reproduction in a comprehensive manner.

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