Sine Wave A 440 Hz Concert Pitch for Ten Hours

Stop your brain from overthinking. You don't need an app. Ten hour Sine wave with no overtones which is called pure as it is only the fundamental frequency.

Egypt's ancient zar ritual

At Cairo's Makan Cultural Centre, the Mazaher ensemble performs a lighter version of "zar", an music and dance ritual with centuries-old roots, that aims to ward off or exorcise jinn, or evil spirits.

3phaz | Boiler Room x Nuits Sonores

One of the driving forces behind the post-shaabi movement is joining us for the next 1 hr. Get locked in for Cairo native 3phaz live & direct from Nuits Sonores festival.

المربع في الإسكندرية - فيلم قصير | EL Morabba3 in Alexandria

After 5 years of not being able to perform in Alexandria,Egypt. On February 24th 2020, El morabba3 band succeeded in returning once again establishing a new vision and era of their own.
 The short film describes the energy that existed on that day mainly from the eyes and feelings of their fans.

Intermission

Repetitive still standing movement, an exploration of the visual image for its own sake. A projection of mental images, which are formed while listening to music. From the simple act of drawing a line, to the intricate movement and complex structure of animation.

Peter Kutin - Sonic Body

RotoЯ - Sonic Body is a rotating quadrophonic audio and light system

Making a Beautiful Beat by Buci

Art Is a Journey Within (feat. Peng Peng Temple)

Chan Ting performs at Tai Po Art Centre BASE studio

Annea Lockwood - a Film About Listening

Annea Lockwood is a New Zealand-born American composer and academic musician. She taught electronic music at Vassar College. Her range is vast and often includes microtonal, electro-acoustic soundscapes and vocal music, as well as recordings of natural found sounds.

La Croix, Juliette Minchin, 2023

Juliette Minchin created in situ for the Abbey of Beaulieu-en-Rouergue. Arranged at the crossroads of the transept between the nave and the choir, the 28-meter-long cross-shaped sculpture responds to the Latin cross plan of the abbey. It is composed of 33 openwork steel panels covered with wax, where 363 wicks are lit in turn. Like a huge candle, the installation evolves over the exhibition and gradually reveals its metal structure. "The work is a real monolith of wax and steel. A mausoleum, a votive monument, perhaps also a cave. Inspired by a Sicilian silt, Juliette Minchin adapted the "diving" technique by which, minute after minute, millimeters after millimeters, the strands of the candles are covered with waxes and cooled, thickening, to use it in the construction of real wax walls. The metallic motif of their frame is a bouquet of elongated roses that pays tribute to the rosettes of the Abbey of Beaulieu. But patience! Because it is only at the consumption of this monumental candle that the structure is revealed. The wax sculpted the metal at the time of the dive, by the concretion of its drops. By melting, it becomes architectural garment, skin of the work, shroof of the cross. Like an hourglass, the work evokes the passage of time, the patient and meticulous repetition of the same gestures that form both immemorial techniques and disappeared rites. Like miraculous water, the molten wax will be recovered at the end of the exhibition in order to be integrated into the initial reservoir and the work will be reactivated during its next exhibition. The wax will return to wax, according to the reason of the eternal return, made to ward off the fears of those who remain, the fears of the after.:

Bon - Pantheon - Flora 4k

"We wanted to create a record using samples from recordings we created ourselves that were calm, romantic and had a natural, timeless feel. Something weathered and low-fi, but Hi-Fi and complete all at the same time. Something with the spirit of a well-loved worn-out cassette but using cutting edge production techniques. Hiss, noise and distortion are all treated here as instruments in these compositions. Asking the questions "What is quality, perfection and character and what do these words mean to us". We took our own recordings and manipulated them, letting them evolve through the technology, reflecting the cyclical and evolutionary nature of all creative processes."