ART

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46:40

Sine Wave A 440 Hz Concert Pitch for Ten Hours

Stop your brain from overthinking. You don't need an app. Ten hour Sine wave with no overtones which is called pure as it is only the fundamental frequency.

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01:13

Solo by LOEWE

starring biel garcía director / vincent boehringer executive producer / jacob burckhardt dop / carlos feher set design/ cathrin sonntag styling / natalia wierzbicka gaffer / anian krone 1st ac / mauricio waldo 2nd ac / b-cam / jona riese pa / florencia altamirano drone / the drone studio service productio / camino service producer / céline imbert casting director / matt o'malley editor / sounddesign / nik kohler post house / cabin edit edit assistants / craig griffiths, chris day post producer / caylee banz executive producers cabin / ruth minkley, kayt hall music / anenon additional sounddesign / mix / berg & dahl audioulien Alary colorist / julien alary liquid art / chris park vfx producer / julian sünram vfx artist / max habel production company / upperfast, filmakademie baden-wuerttemberg co-production: markenfilm berlin & hamburg, eddy paris, farbfilm studio zurich Special thanks: tmls, lane Casting, sight management, cosmic, napalm rentals

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01:09

MAFF Loves Armenia: Larisa Safaryan

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02:18

Missing: You so much a letter to all the dreamers

Missing: You so much a letter to all the dreamers Creative director/producer: Your friend, daao Director/DOP/edit: Naran Evdeev 1AC: Edward Kurginyan Music/sound design: Shhau & Your friend, daao Color: Tigran Aghajanyan

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01:52

MAFF Loves Armenia: David Sahakyan - Woozy Tunes

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00:10

MAFF Loves Armenia: Yeranuhi Nersisyan

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00:17

MAFF Loves Armenia: ԿԱՊ Kap Community

If you want to know whats going on: https://t.me/s/kapcommunity

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00:36

MAFF Loves Armenia: Khoren Matevosyan

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00:41

MAFF Loves Armenia: Victor Zatikyan

This is what happens when the Cinebox 250D, a Nikon f4, and photographer, Victor Zatikyan come together

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02:00

Egypt's ancient zar ritual

At Cairo's Makan Cultural Centre, the Mazaher ensemble performs a lighter version of "zar", an music and dance ritual with centuries-old roots, that aims to ward off or exorcise jinn, or evil spirits.

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00:16

Mahmoud Khattab somewhereincairo

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00:33

Mohamed El-Masry films Hurghada, Egypt

Cinematographer based in Cairo, Egypt Mohamed El-Masry films Hurghada.

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Antraal

Vimeo

What should be taken as the cornerstone of Sahej Rahal’s work Antraal 2019, is that we can rationally imagine what it would mean to live as the last humans, machines which have navigated their time of Idea and history since the advent of the first humans or us. They have refused and subverted the totality of their contingent appearance and significance of their historical manifestations as mere misconceptions of what it means to wander in time, as an Idea and not merely a species. Clearly, such a speculation cannot be total, for it is more akin to the reconstruction of the idea of a machinic conception of humanity from the lights that come through the cracks in the concept of humanity as situated here and now. To reconstruct the play or dance of these lights—however insufficient these clues might be—is the very definition of taking the timeless Idea of the Human sternly. And what is a human who does not acknowledge or reinvent itself in different guises? The self-consciousness of the fact that we have always been artifacts of our own historical concepts leads to the understanding that what comes after us and through our practices is also us but not burdened by the particularity of our wheres and whens. It is truly an outside perspective into what we are right here and now.

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